\end{multicols

\chapter{Examples

\vskip -8mm Due to compatibility problems with \LaTeX\ (used to produce this notice) large examples must be \TeX -ed separately, i.e.\ using \TeX\ and not \LaTeX. Therefore, the Music\TeX\ future user is suggested to produce some of the following examples and to look carefully at the way some special features have been coded.

\medskip When producing this examples, care should be taken about the fact that many given files are supposed to be included (by means of \keyindex{input) in other files. Thus the only good files to be directly \TeX-ed are those which begin with {\Bslash input musicnft. In addition, it must be noted that most DVI previewers and laser printers have their origin at one inch below and one inch right of the right upper corner of the paper, while the musical examples have their upper left significant corner only at one centimeter right and below the left top of the paper. Therefore, special parameters have to be given to the DVI transcription programs unless special \keyindex{hoffset and \keyindex{voffset \TeX\ commands are introduced within the source \TeX\ text.

\medskip Suggested tests are:

\begin{itemize \item{\tty PACIFIQN for a long original piano work (11 pages); {\tty PACIFIQB is the same in 16~pt staff size; \item{\tty HADAGIO for a typical organ score (included in {\tty RECUEIL); \item{\tty CARILLON for a sophisticated piano score (use Big\TeX~!); \item{\tty PRAETORI to get an ancient polyphonic song with three transpositions; \item{\tty ANGESCAO if you like Christmas carols with four voices, a three-staff organ score and the same transposed to meet ordinary singer’s limitations; {\tty ANGESCAM is the same without organ. See {\tty angescax.tex to see how the same source has been used for two distinct layouts. \item{\tty HPRELFUG if you like imitations of J.-S. Bach (included in {\tty RECUEIL); \item{\tty MARCELLO if you like pre-baroque music (included in {\tty RECUEIL); \item{\tty RECUEIL if you want to get all the organ works of the author in a single book (44 pages); %\item{\tty HCREATIM to get an unfinished transcription of the %Creation by J. {\sc Haydn.\index{Haydn, J. \item{\tty HWIDOR and {\tty NWIDOR to get the Toccata by Charles-Marie {\sc Widor in two different sizes. \item{\tty AVEMARIA to get the “M\’editation” (alias “Ave Maria”) by Charles {\sc Gounod for organ and violin or song.\index{Gounod, C. \item{\tty RACINE to get the “Cantique de Jean Racine” by Gabriel {\sc Faur\’e in a transcription fit for organ rather than for piano.\index{Faur\’e, G.

\end{itemize\index{Widor, C.-M.

\chapter{Summary of denotations \section{Pitches \begin{music \cleftoksi={6000 \def\lbnt#1{\zcharnote{9{\tty #1\wh{!#1 \def\LBNT#1{\zcharnote{9{\tty !\relax #1\wh{!#1 \def\nbinstruments{1\relax \debutextrait\autolines{13{1{12\temps\notes\qsk \LBNT {‘A\LBNT {‘B\relax \LBNT {‘C\LBNT {‘D\LBNT {‘E\relax \LBNT {‘F\LBNT {‘G\relax \lbnt A\lbnt B\lbnt C\lbnt D\lbnt E\lbnt F\enotes\finextrait \def\lbnt#1{\zcharnote{-5{\tty #1\wh{!#1\relax \debutextrait\autolines{13{1{12\temps\notes\qsk \lbnt G\lbnt H\lbnt I\relax \lbnt J\lbnt K\lbnt L\lbnt M\lbnt N\lbnt a\lbnt b\lbnt c\lbnt d\lbnt e\relax \enotes\finextrait \def\nbinstruments{1\relax \cleftoksi={0000 \def\lbnt#1{\zcharnote{10{\tty #1\wh{!#1\relax \debutextrait\autolines{13{1{12\temps\notes\qsk \lbnt a\lbnt b\lbnt c\lbnt d\lbnt e\lbnt f\lbnt g\lbnt h\lbnt i\relax \lbnt j\lbnt k\lbnt l\lbnt m\enotes\finextrait \def\lbnt#1{\zcharnote{-4{\tty #1\wh{!#1\relax \debutextrait\autolines{13{1{12\temps\notes\qsk \lbnt n\lbnt o\lbnt p\lbnt q\lbnt r\relax \lbnt s\lbnt t\lbnt u\lbnt v\lbnt w\lbnt x\lbnt y\lbnt z\relax \enotes \finextrait \end{music \section{Notes and Rests \begin{music \def\mcra#1{\zcharnote{10{\hbox to 1.3\Interligne{\hss\Bslash #1\hss \def\Mcra#1{\zcharnote{14{\hbox to 1.3\Interligne{\hss\Bslash #1\hss \def\nbinstruments{1 \debutextrait\normal\temps\NOTes\sk \mcra{zbv\zbv i\sk\mcra{zsb\zsb i\sk\enotes\Notes\relax \mcra{wh\wh i\qsk \mcra{hu\hu f\qsk\mcra{hl\hl l\qsk \mcra{qu\qu f\qsk\mcra{ql\ql l\qsk \mcra{cu\cu f\qsk\mcra{cl\cl l\qsk \qsk\mcra{ccu\ccu f\qsk\qsk\mcra{ccl\ccl l\qsk\relax \qsk\qsk\mcra{cccu\cccu d\qsk\qsk\qsk\mcra{cccl\cccl l\qsk \qsk\qsk\mcra{ccccu\ccccu f\qsk\qsk\qsk\mcra{ccccl\ccccl l\enotes\finextrait \end{music % \begin{music \def\mcra#1{\zcharnote{10{\hbox to 1.3\Interligne{\hss\Bslash #1\hss \def\Mcra#1{\zcharnote{14{\hbox to 1.3\Interligne{\hss\Bslash #1\hss \def\nbinstruments{1 \debutextrait\normal\temps\NOTes\qsk \mcra{whp\whp i\qsk \mcra{hup\hup f\qsk\mcra{hlp\hlp l\qsk \mcra{qup\qup f\qsk\mcra{qlp\qlp l\qsk \mcra{cup\cup f\qsk\mcra{clp\clp l\qsk\enotes \Notes\qsk\mcra{qh0\ibu0f0\qh0f\tbu0\sk \qsk\mcra{qb0\ibl0l0\qb0l\tbl0\sk\relax \qsk\mcra{qhp0\ibu0f0\qhp0f\tbu0\sk \qsk\mcra{qbp0\ibl0l0\qbp0l\tbl0\sk\relax \qsk\mcra{qhpp0\ibu0f0\qhpp0f\tbu0\sk \qsk\mcra{qbpp0\ibl0l0\qbpp0l\tbl0\sk\relax \enotes \finextrait % \def\mcrb#1#2{\zcharnote{14{\hbox to 1.3\Interligne{\hss\Bslash #1\hss% \mcra{#2% \def\Mcrb#1#2{\zcharnote{18{\hbox to 1.3\Interligne{\hss\Bslash #1\hss% \Mcra{#2% \def\mcrc#1#2#3{\zcharnote{18{\hbox to 1.3\Interligne{\hss\Bslash #1\hss% \mcrb{#2{#3% \debutextrait\normal\NOTES\qsk\relax \Mcrb{seizsoupir{qqs\qqs\qsk% hemi-demi-semi-quaver rest \mcrb{huitsoupir{hs\hs\qsk% demi-semi-quaver rest \mcrc{quartsoupir{qsoupir{qs\qs\qsk\qsk% semi-quaver rest \mcrc{demisoupir{dsoupir{ds\ds\qsk% quaver rest \enotes\finextrait \debutextrait\normal\NOTEs \mcrb{soupir{qp\qp\qsk% crotchet rest \mcra{hpause\hpause% minim rest \mcra{pause\pause% semibreve rest \mcra{PAuse\PAuse% ? rest \enotes\NOTes \mcra{PAUSe\PAUSe% ?? rest \enotes\finextrait \end{music % \section{Other symbols

\begin{music \def\nbinstruments{1\parindent 0pt \def\mcra#1{\zcharnote{17{\hbox to 1.3\Interligne{\hss\Bslash #1\hss \def\Mcra#1{\charnote{17{\hbox to \noteskip{\Bslash #1\hss \debutextrait\NOTEs \mcra{nTrille\nTrille{n4\sk\qsk \mcra{ntrille\ntrille{n4\sk\sk \mcra{pince\pince{n\sk\mcra{Pince\Pince{n\sk\relax \mcra{mordant\mordant{n\sk \mcra{turn\turn{n\sk\mcra{backturn\backturn{n\sk \mcra{coda\coda{n\sk\mcra{segno\segno{n\sk \enotes\finextrait \debutextrait \def\mcra#1{\zcharnote{10{\hbox to \noteskip{\Bslash #1\hss\relax \NOTes\sk\relax \mcra{dimin\zcharnote b{\dimin\sk\sk \mcra{Dimin\zcharnote b{\Dimin\sk\sk\relax \mcra{DImin\zcharnote b{\DImin\sk\sk\sk\relax \mcra{DIMin\zcharnote b{\DIMin\sk\sk\sk\sk\relax \enotes\finextrait \debutextrait \def\mcra#1{\zcharnote{10{\hbox to \noteskip{\Bslash #1\hss\relax \NOTes\sk\relax \mcra{cresc\zcharnote b{\cresc\sk\sk\relax \mcra{Cresc\zcharnote b{\Cresc\sk\sk\relax \mcra{CResc\zcharnote b{\CResc\sk\sk\sk\relax \mcra{CREsc\zcharnote b{\CREsc\sk\sk\sk\sk\relax \enotes\finextrait \debutextrait \def\mcra#1{\zcharnote{14{\hbox to 2\Interligne{\hss\Bslash #1\hss\relax \NOTEs\sk \mcra{pointdorgue\pointdorgue{l\wh k\sk\relax \mcra{pointdurgue\pointdurgue{e\wh f\sk\enotes \NOTes \mcra{PED\PED\sk\mcra{DEP\DEP\sk\relax \enotes\finextrait \end{music \end{document

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